1/1/2023 0 Comments Lagu koplo 2010![]() ![]() ![]() Dangdut koplo (atau Koplo) adalah sebuah bentuk musik dangdut daerah yang berasal dari Jawa Timur. Data are based on fieldwork in East Java, primarily Surabaya and environs (Lamongan, Gresik, and Sidoarjo), 2007–2012.Īrtikel ini mempelajari konsep sebuah genre dan kontra-genre melalui penelaahan pada sifat dan praktek bermusik dangdut koplo dan kaitannya dengan dangdut sebagai pendahulunya. As a case study, dangdut koplo illustrates the discourse and practice of genre formation in post-reformasi Indonesia. Dangdut koplo crystallized in the mid-1990s in conjunction with the changing landscape of politics and economics, greater access to technology, lack of enforcement on locally produced recordings, and the decentralization of the music industry. Dangdut koplo is characterized by its distinctive drum pattern, fast tempo, genre-bending arrangements, and eroticized style of dance. Regional forms of dangdut exhibit an intensified level of artistic creativity by incorporating regional languages, musical elements, and/or performance practices. Dangdut koplo (or Koplo) is a regional form of dangdut (dangdut daerah) from East Java. Dangdut was first developed during the early 1970s, and an historical treatment of the genre's musical style, performance practice, and social meanings is long overdue.This article explores the concept of genre and counter-genre in music by examining the nature and practice of dangdut koplo in relation to dangdut, its dominant progenitor. ![]() Throughout the book the voices and experiences of musicians take center stage in shaping the book's narrative. Quoted material from interviews, detailed analysis of music and song texts, and ethnography of performance illuminate the stylistic nature of the music and its centrality in public debates about Islam, social class relations, and the role of women in postcolonial Indonesia.ĭangdut Stories is the first musicological study to examine the stylistic development of dangdut music itself, using vocal style, melody, rhythm, form, and song texts to articulate symbolic struggles over meaning. Despite dangdut's tremendous popularity in Indonesia and other parts of Asia, it has seldom received the serious critical attention it deserves.ĭangdut Stories is a social and musical history of dangdut within a range of broader narratives about class, gender, ethnicity, and nation in post-independence Indonesia (1945-present). Dangdut-named onomatopoetically for the music's characteristic drum sounds dang and dut-is Indonesia's most popular music, heard in streets and homes, public parks and narrow alleyways, stores and restaurants, and all forms of public transportation. Weintraub shows how a genre of Indonesian music called dangdut evolved from a denigrated form of urban popular music to a prominent role in Indonesian cultural politics and the commercial music industry. ![]() A keen critic of culture in modern Indonesia, Andrew N. ![]()
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